Videokunst –Geist,
Gemeinschaft und Tschai

Videοkunst – Geist, Gemeinschaft und Tschai
Saturday 4th and Sunday 5th of December 2004
4pm – 9pm
48 Kallirois Str. 4th floor
Athens
Greece

Aida Ruilova, Hey, 1999, (3’) courtesy the artist and Salon 94
Mark Bijl, The Hague, 2003, (1’02”) courtesy The Breeder
Adam Chodzko, Settlement, 2004, (9’28”) courtesy the artist and Els Hanappe
Thanassis Totsikas, 28th February, 2004, (7’) courtesy the artist
Savra Art, Savra Playing Football in Tirana, 2004,(4’)
Ivan Moudov, Traffic Control, 2003, (6’56”) courtesy the artist
Stephen Sutcliffe, Please, Please, Please Let Me Get What I Want, 2001, (2’,08”) courtesy private collection
Uri Tzaig, Fin Fin, 2002, (4’,54”) courtesy Unlimited Gallery
Despoina Sevasti and Haralambos Galanopoulos, Zagu, 2004, (5’24”)
Costas Bassanos,Summer Time (the love affair), 2003, (1’50”), courtesy Ileanna Tounta Gallery
Fani Sophologi, PsychedelicrealisM, 2004,(1’30”)
Erwin Wurm, Adelphi Sculptures Liverpool, 1999, (18’16”), courtesy Unlimited Gallery
Maria Papadimitriou, Match, 2000,(1’33”),courtesy the artist
Alicia Framis, Anti_dog in Ajax football stadium, 2003, (3’52”), courtesy Gr.Papadimitriou
Olaf Breuning, Woodworld, 1998, (9’), courtesy private collection
Haluk Akakce, Snow Black, 2003, (6’15”), courtesy private collection
Hans Hemmert, brutality/artificiality/innocence, 2002, (51” looped), courtesy Gr.Papadimitriou
Mary Zygouri, Phoney Utopia, 2004, (4’35”), courtesy the artist
Joao Onofre, Seeing Things Clearer, 2000, (2’), courtesy Gr.Papadimitriou
Alessandro Pessoli, Caligola, 1999-2002, (10’,44”), courtesy private collection
Fani Sophologi, PsychedelicrealisM, 2004, (1’30”)
Haluk Akakce, A Delicate Balance, 2001, (6’05”), courtesy private collection
Stephen Sutcliffe, That Joke Isn’t Funny Anymore, 2000, (5’,17”), courtesy private collection
Yorgos Sapountzis, Lecture Cragg Class, 2003,(23’)courtesy the artist and Gazon Rouge
Aida Ruilova, Uh Oh, 2004, (3’), courtesy the artist and Salon 94
Poka-Yio, Human Garden, 1995, (3’30”), courtesy the artist
Aida Ruilova, No No, 2004, (3’), courtesy the artist and Salon 94
Lina Theodorou, Bureau, 2004, (3’), courtesy Ileanna Tounta Gallery
Nayia Frangouli, Successive Change of Peace, 2003,(3’), courtesy the artist and Els Hanappe
Sven Pahlsson, the Monopoly Series II, 2002, (6’), courtesy Gr.Papadimitriou
Mark Bijl, Forever Sport Add, ,() courtesy The Breeder
Georgia Sagri, The Market, August 2003,(25’)
Costas Bassanos,Desperate Folly (man sitting on a tree), 2002, (5’), courtesy Ileanna Tounta Gallery

Trisha Donnelly,LASER, 2003,(30’2”), courtesy Gr.Papadimitriou

We would like to thank the artists, galleries and collectors who kindly lent us works as well as Nena Politopoulou, Dimitris Karaiskos, and the Hellenic Society for the Protection of the Environment and Cultural Heritage, for their support.